UNIVERSITY PARK, Pa. — “Our Little Secret,” written by Emily Carrington and published by Drawn & Quarterly, has won the 2023 Lynd Ward Graphic Novel Prize. Penn State University Libraries sponsors this juried award and its administrator, the Pennsylvania Center for the Book.
“In this graphic memoir, Emily Carrington takes readers through her traumatic story of childhood abuse. While the novel begins with a warning, it only partially prepares the reader for the powerful narrative and emotional rollercoaster that they are about to be taken on," the judges said. "Throughout the journey, Carrington expertly uses the graphic novel format to set the tone and pace the narrative. The story is clear and engaging and invites readers to witness the author’s futile quest for redress through the courts. This cultivates empathy and performs a kind of grassroots justice without sacrificing literary and artistic excellence. Carrington’s visuals are confident and original. She uses metaphor beautifully, and seamlessly weaves surrealist threads throughout the narrative. ‘Our Little Secret’ is fluid, utterly engaging, and evokes empathy and compels action.”
Carrington will receive a $2,500 prize and “Lynd Ward: Six Novels in Woodcuts,” a two-volume boxed set published by Library of America, at a forthcoming event. Details of the event will be announced in the fall.
“Ducks: Two Years in the Oil Sands,” written by Kate Beaton and published by Drawn & Quarterly, was named a Lynd Ward Graphic Novel Prize honor book. Beaton will also receive “Lynd Ward: Six Novels in Woodcuts.”
“On the surface, the topic of this book may seem uncompelling, however, Beaton has created a work that is anything but. ‘Ducks’ is the story of its author's experiences in the Oil Sands, far from home, and in an environment where men vastly outnumber women," said the judges. "Beaton opens and closes doors, compartments, and boxes; she knows how to show ingenuity and resilience with a convincing display. The art ranges from beautiful landscapes to expressive faces to detailed looks at heavy machinery. While providing a look into a small slice of life, this book engages with a range of heavy topics such as environmentalism, sexism, and the high cost of education. In other places it is a quiet story of growing up, of leaving home, of growing confidence. Throughout, Beaton pulls the reader through with rich images and a personal but relatable touch.”