YORK, Pa. — “Art and Politics: The Case of Corrado Cagli” will be the topic when Penn State Laureate John Champagne visits Penn State York on Tuesday, Nov. 6. The presentation, set for 12:10 p.m. in the Precision Custom Components Community Room, is free and open to the public. Champagne is a professor of English and chair of the Global Languages and Cultures program at Penn State Erie, The Behrend College.
An annual honor established in 2008, the Penn State Laureate is a faculty member who travels the Commonwealth to bring greater visibility to the arts, humanities and the University, as well as to his or her own work. Champagne’s laureate presentation is an expansion of his research for his sixth book, an examination of artistic culture of the Italian fascist years of 1922 to 1945 and the relationship of artistic works to the fascist regime.
“John always has compelling insights into the ways the history of the arts can inform our thinking about the present,” said Jennifer P. Nesbitt, associate professor of English at Penn State York and coordinator of Champagne’s visit. “I’m excited to have such an engaging, distinguished scholar visit our campus.”
The problematic and contradictory relationship between the art of Italian painter, sculptor and muralist Corrado Cagli, and the fascist government that supported him, will be explored in the upcoming presentation. Champagne uses Cagli’s career as a starting point for engaging his audience in a discussion of art and the contemporary resurgence of fascism at home and abroad.
“Do artists have a responsibility to politics?” Champagne asked. “What is our obligation to art of the past, and what does history suggest to us about the role art plays in world politics today?”
Born in Milwaukee, Wisconsin, he wrote his first novel, “The Blue Lady’s Hands” (Lyle Stuart, 1988), while an undergraduate at Hunter College in New York City. His second novel, “When the Parrot Boy Sings” (Meadowlands, 1990), was published two years later.
After completing a master’s degree in film studies at New York University in 1988, Champagne earned his doctoral degree in English from the University of Pittsburgh in 1993. That same year, he began working at Penn State Behrend, where he teaches courses in literature, film, philosophy, composition, and Italian culture. He also has taught ethnic American literature and media theory at the University of La Manouba in Tunisia as a Fulbright Scholar.
Champagne’s stop in York is part of his yearlong tour of Pennsylvania to ask probing questions about — and offer a historical perspective on — the role of the artist in times of political turmoil.