Alumni Association: When you’re not just an actor, but also a producer, a writer or a creator (such as with "Key & Peele"), how does that change your viewpoint while working on a project, and have you thought at all about directing?Key: It’s funny, you’re allowed to weigh in on all the decisions, but I think the more important thing to do, is to find the stuff you can delegate to people you trust. Take care of the stuff that’s really important to you to make sure that you’re informing the voice of the show that you’re a part of, and then the other thing is there has to be things you can delegate to people who have a different lens through which they look. It’s almost more important to have people around you who you trust than it is to say, “I want all the power.” It’s better for you to focus on what you’re great at and let other people focus on what they’re great at. So it’s also about hiring the correct kind of personnel. I’ve thought a little bit about directing; I like producing, so that’s not on the forefront of my mind at this time.
Alumni Association: You were very approachable with students during your visit and someone who’s known you for 20 years said that you’re very grounded. How does that help you with your comedy and writing, and how you approach projects?Key: I want to be able to pinpoint and take advantage of certain demographic phenomena. What I mean by that, is of course, if I spend time around “regular people,” then I understand what regular people find funny; because at the end of the day, you’re not going to get ratings if the only people laughing at your stuff is other writers (laughing), and writers have a pretty bizarre sense of humor that not all people share. What I know are figuratively called “the flyover states”: I try not to think of our country that way. I try to think about how people in Kansas have a certain type of wit. People in Florida have a certain type of wit. People in North Dakota have a certain type of wit, and I think what they find funny should be honored as much as anybody else. And since I’m from that part of the country, that’s always been important to me.”
Alumni Association: As your career has become increasingly more successful and you’re starring in more movies and television shows, not to mention appearing on the cover of Time and New York Times Magazine, do you sense that you’re more recognizable now than earlier in your career, and how do you handle fame?Editor’s note: Not surprisingly, Penn State students recognized Key on campus and continually approached him, asking for photos; one student also asked for his autograph during an in-class Q&A session.Key: Yes, there has definitely been a change. There’s definitely been a significant change, and it’s welcomed. I think it’s part of the territory, that’s the way it goes, so you may as well embrace it. Otherwise, you’re going to have a hard time, and you’re going to have to relegate yourself to a hermitage (laughing), you’re really not going to have a choice, so you may as well try to interact with people. Sometimes you interact with people, and you never know, you may find a new character.
Alumni Association: Right, like “Shawl Man." (Key obliged the autograph request from the male student, who was wearing a shawl in class. Key joked with the student, saying he’d keep “Shawl Man” in mind as a character).Key: Shawl Man, yes! (He laughs and claps his hands).
To read more about Key's visit to University Park, visit The Penn Stater magazine's blog.