UNIVERSITY PARK, Pa. — Jenna Folk, who graduated from Penn State on May 4 with her bachelor of architecture in the College of Arts and Architecture’s Stuckeman School, was awarded the Department of Architecture’s 2024 Paul M. Kossman Design Thesis Award for her project that investigates the binary experience of a building and space in order to better understand the ways gender norms and binaries are perpetuated through the ways architecture is constructed.
A native of Allentown, Pennsylvania, Folk said she became more interested in topics of gender, race, sexuality and love after taking several sociology and philosophy classes during her five years at Penn State, thus prompting her to explore how architecture intersects with these topics in her thesis project.
“I find that understanding the human is essential for the architect because space is inherently linked to human beings,” said Folk. “Since the human cannot fit into the labels and boxes that society has constructed over time — and these labels are linked so strongly to space — a new design process for architecture must be considered.”
In her project, titled “Blurring Binaries and Bending Gender: An Architecture of Love,” Folk chose to investigate the 30th Street Station in Philadelphia as it is a notable structure and “welcoming icon” to anyone arriving in the city by train or bus. Folk proposes an experiential “queered” space installation on the site that “challenges the well-defined binary space of the station, deconstructing the architecture that forces humans to define themselves within space and creates an architecture of acceptance, reception and love.”
“A non-binary ambiguity is created, transforming the known identity of the architecture and therefore challenging and redesigning the known identity of the user,” Folk continued.
Folk said she drew inspiration for her thesis from the work of Cassils and other queer artists and architects who have studied the challenging and changing of gender norms in the built environment, such as Eileen Gray and Dolores Hayden.
“I also took inspiration from architects who are using materials in new ways to create ambiguous and ethereal spaces, such as the architecture office TAKK and its work on 'The Garden for Romantic Crossovers,'" she said.