UNIVERSITY PARK, Pa. — A new gift from alumnus and longtime Penn State philanthropist Jason Kogan will facilitate opportunities for undergraduates to engage with museums. The Max and Shirley Kogan Museum Experience Fund will provide a total of $50,000 across five years to support museum visits and internships and to enable students to attend professional museum conferences.
The fund will be administered through the Student Engagement Network (SEN), which is a joint venture between Undergraduate Education, Student Affairs, and Outreach and Online Education. It was launched in 2017 as a comprehensive initiative across 24 campuses to connect students with activities such as research, student organization involvement, community leadership, study abroad, internships and the performing arts. The Kogan Museum Experience Fund is among the first wave of philanthropic commitments to the SEN, and Kogan hopes his contribution will help to spread awareness of its role at the University and spur further giving.
“I couldn’t find any precedent in higher education for the kind of flexible support for immersive museum experiences that I envisioned, so I decided to pioneer a new approach,” said Kogan. “After learning about the University-wide Student Engagement Network, it became obvious it was the perfect vehicle for housing the fund and ensuring access to Penn State students across every college and Commonwealth Campus.”
Unlike many such programs that require a specific research project or deliverable, student recipients of support from the Kogan Museum Experience Fund can pursue opportunities based on their own intellectual curiosity. Program guidelines express a preference for museums accredited by the American Alliance of Museums — with subject matter spanning art, history, anthropology and science — and provide a structure for the following three engagement options:
- Travel to a museum. Students should visit a minimum of five museums located within the United States; pre-arrange to interview a museum professional; take part in a museum tour or guided experience; and participate in two in-person or virtual programs hosted by the museum.
- Intern at a museum. The internship should include at least 50 hours of museum experience, and students should interview at least one museum professional during their internship experience.
- Attend a museum conference. The conference can be regional, state or national, but it must be based in the United States, and students should make at least one significant contact with a museum professional at the conference who can assist in the student’s career aspirations.
“We are deeply grateful for Jason’s detail-oriented approach to designing this fund, which has put checkpoints in place so that students can capitalize on every aspect of their museum itineraries,” said Yvonne Gaudelius, vice president and dean for Undergraduate Education. “The Student Engagement Network makes these opportunities available to every Penn State undergraduate, and our resources can be especially valuable for first-generation college students. Jason’s generosity means we can truly shepherd students toward transformative educational ventures.”
Alora Howard, a sophomore studying music performance in the College of Arts and Architecture, is the first student to have been awarded funding.
“I grew up in a very large family, and that meant my parents didn’t have the resources to make museum travel a reality,” Howard said. “Now, I’ve set aside my entire spring break to observe and absorb as much art — and talk with as many arts curators and experts — as I possibly can. I never would have sought out this adventure, much less had the wherewithal to actually do it, if this funding weren’t available.”
Museums hold a hallowed place in Kogan’s own biography. He earned his bachelor’s degree in history from Penn State in 1966 and his law degree from George Washington University in 1969 before going to work as a federal prosecutor on Constitution Avenue in the nation’s capital during the 1970s. There, he often used his lunch hour to step away from his courthouse office to visit the National Gallery of Art. Inside, he’d walk the marble halls, immersed in the calm and serenity that emanated from artwork dating from the Renaissance.